When it comes to the horror genre, victims—and even heroes, for that matter—are a dime a dozen. Who can remember everyone Jason has killed throughout the Friday the 13th series or how Michael got his comeuppance in, say, Halloween 4? Sure, everyone knows that Van Helsing has defeated the most famous vampire of all in countless versions of the story, but how many recall who dispatched the monster at the end of House of Frankenstein? Who were the people that Godzilla stomped? Who was it that exterminated the giant ants in Them? Did anyone manage to escape the House of 1000 Corpses? It’s hard to remember!
But the villains—oh those amazing villains!—will live on for all of eternity in horror cinema…
Click here to read Madison Film Guy’s full FROM THE TOMB column–TOP 10 LIST OF CLASSIC HORROR MOVIE VILLAINS–at Horrornews.net!
Comedy and horror have been kissing cousins since the early days of cinema. Moments of humor have been the go-to safety valve that horror filmmakers have used consistently to relieve audience tension and to provide a break from the suspense and terror of the moment. Over time, the approach may have changed, but the general idea has remained remarkably consistent from the early days of cinema to today. The dark humor of The Bride of Frankenstein, for instance, eventually evolved into movies like An American Werewolf in London,The Evil Dead 2, and Re-Animator: horror movies first but with a wildly comic spin at the same time. Early full-throated horror satires like The Cat and the Canary and the Abbott and Costello Meet… films eventually became modern classics like Young Frankenstein and What We Do in the Shadows.
It should be no surprise, then, that a separate and distinct subgenre would eventually evolve, fusing the horror film with the movie comedy, and for a brief, glorious period more than sixty years ago, the horror-comedy enjoyed a run of excellence the produced a string of enduring classics…
Click here to read Madison Film Guy’s full FROM THE TOMB column–TOP 5 HORROR-COMEDIES OF THE GOLDEN AGE–at Horrornews.net!
The overwhelming takeaway of We All Fall Down is that pretty much every character has absolutely perfect teeth. Forget that they are living in a post-apocalyptic word, and forget that the survivors must scrounge the countryside for food and water. Forget that supplies are scarce, that danger lurks behind every tree, and that the bodies of the fallen litter the streets. Forget even that some of the characters are essentially mindless savages, raised from childhood as mute warriors brainwashed to do nothing but serve their mistress. Even those guys have perfect teeth!
In fact, one might say that had as much effort gone into the storytelling and performances of We All Fall Down as went into the apparently painstaking dental care of its characters, it might have been a more interesting movie.
Click here to read Madison Film Guy’s FULL review of WE ALL FALL DOWN at Horrornews.net!
If you could use just one word to describe Bethany, the new film from director James Cullen Bressack, that word would clearly have to be portentous. Every shot, every word, every glance, every beat, every scene—even every act of friendship and affection—is so pregnant with heavy, earnest, grim portent that the whole movie feels like a premature wake for someone who is just about to die.
Click here to read Madison Film Guy’s FULL review of BETHANY at Horrornews.net!
During the Golden Age of Horror, Universal Studios was the undisputed king of horror cinema, and its Big Three monsters—Dracula, Frankenstein’s monster, and the Wolf Man—remain definitive horror icons nearly a century later. Not coincidentally, the three actors most associated with those iconic Universal monsters—Bela Lugosi, Boris Karloff, and Lon Chaney, Jr., respectively—also remain the biggest names in classic horror decades upon decades after their final films.
Of those Big Three horror legends, though, Karloff and Lugosi have always enjoyed slightly elevated standing over Lon Chaney, Jr., who—despite a truly prolific career—has always been considered somewhat of a little brother among the Big Three…
Click here to read Madison Film Guy’s full April 2017 FROM THE TOMB column–LON CHANEY, JR.’S TRIFECTA OF TERROR–at Horrornews.net!
At some point, it’s really fair to ask: why would anyone ever go camping ever again? It’s dirty. There’s no bathroom. Not a single Dunkin Donuts anywhere in sight. Forget showering in the morning. The bugs can crawl right into your mouth mid-snore. Oh, and on top of it all, there is all manner of criminal and creature waiting to murder you in the dark of the night.
It might be a werewolf interrupting your moonlit sexcapades. It might be a masked stalker chasing you through the mud and the murk. It might be feral pack of homicidal hillbillies ready to feast on your flesh. Bigfoot. Clowns. Predator aliens. Bats. Piranha. Or sometimes—just sometimes—there might be a kooky, crazy Arbor Demon waiting for you in the woods….
Click here to read Madison Film Guy’s FULL review of ARBOR DEMON at Horrornews.net!
Murderous hillbillies suck.
That’s not necessarily the overriding theme of the stalked-in-the-great-outdoors thriller Quarries, but it is certainly one takeaway…not to mention something on which nearly all of us can agree.
And it’s not a particularly new idea, either…
Click here to read Madison Film Guy’s FULL review of QUARRIES at Horrornews.net!
Certain filmmakers wear the incoherence of their films like a badge of honor, from relatively mainstream directors like David Lynch and Darren Aronofsky to experimental filmmakers across every genre. When you have a track record of excellence or undeniable potential, you get a pass. When you don’t, not so much. Or, as Crash Davis said so well to his rookie pitcher in Bull Durham, “If you win twenty in the show, you can let the fungus grow back [on your shower shoes] and the press will think you’re colorful. Until you win twenty in the show, however, it means you are a slob.”
It is unclear yet if writer/director Jimmie Gonzalez will make it to the proverbial show just yet, but the relative incoherence of his rookie effort The Red Man somewhat undermines what otherwise is a very solid effort by both Gonzalez and his team.
Click here to read Madison Film Guy’s FULL review of THE RED MAN at Horrornews.net!
The cool thing about science fiction—whether it be timeless literature, matinee classics, or episodic series delivered through popular streaming services—is that there’s almost always more there than meets the eye. Damn the budget, the star power, the pedigree, and—yes—even the quality, science fiction is usually about ideas. Even the bad ones generally have something to say.
The 2016 release Spectral is no different…
Click here to read Madison Film Guy’s FULL review of SPECTRAL at Horrornews.net!
I Was a Teenage TV Terrorist should come with a warning label. Well, several, actually. But for starters: any modern viewer would likely expect the 1985 film to naturally feel a bit dated some thirty-plus years after its original release, but the fact of the matter is that I Was a Teenage TV Terrorist feels out-of-time even for 1985…as if it were meant for another time and era. An affectionate homage? Perhaps. A modern satire playing on tropes from the past? OK, if you’re extremely generous. A simply terrible movie that misfires on nearly every cylinder? Absolutely.
Click here to read Madison Film Guy’s FULL review of I WAS A TEENAGE TV TERRORIST at Horrornews.net!